I Heart Jake

Brokeback Mountain

• Tagline: Love Is A Force Of Nature
• Director: Ang Lee
• Writer: Annie Proulx & Larry McMurtry
• Release Date: 3 September 2005 (USA)
• MPAA Rating: Rated R for sexuality, nudity, language and some violence.
• Parents Guide: View content advisory for parents
• Genre: Drama | Romance | Western
• Runtime: 134 min
• Box Office #’s: Here

In the Summer of 1963 Wyoming, two young men, Ennis a ranch hand and Jack an aspiring rodeo bull rider, are sent to work together herding sheep on Brokeback Mountain, and what had otherwise been anticipated to be a rather uneventful venture, will soon turn into an affair of love, of lust, and complications that will spand through 19 years of their lives. Through marriage, through children, and through the mighty grip of societal confines and the expectations of what it is to be a man.

From the Gallery

Cast Highlights

• Heath Ledger … Ennis Del Mar
• Michelle Williams … Alma
• Anne Hathaway … Lureen Newsome
• Linda Cardellini … Cassie

Trivia

During the filming of the Fourth of July scenes in Fort Macleod, the crew would get the extras pumped up by telling them to act like the Calgary Flames had just won the Stanley Cup.
Heath Ledger has a nude scene in which he jumps into a lake. Ang Lee intended to edit any actual frontal nudity out of the film, but a paparazzo took photos of Ledger with a digital camera. The photos appeared on the Internet and in some press publications. The scene is included in the European version of the film. It features Ledger and a stunt double for Jake Gyllenhaal jumping into a lake from a rock.
The original short story by Annie Proulx was published in the 13 October 1997 issue of The New Yorker, without the italicized prologue which was included in the later version published in “Close Range”, her collection of short stories. Diana Ossana, co-screenwriter and a producer on the film, read it, then asked her colleague Larry McMurtry to read the story. He refused, stating he doesn’t read short fiction, because he can’t write it. She persisted, however, and he ultimately agreed. McMurtry handled the marital dramas and the Western elements, while Ossana concentrated on the male relationship, McMurtry feeling that he was not up to the task of conveying that realistically. Some reports have it that director Ang Lee barred screenwriter McMurtry from the set of the movie. A spokeswoman for Focus Features, which is producing it, commented: “Larry McMurtry rarely goes on sets because he has very severe allergies.” McMurtry was also in the midst of writing a novel when filming began and ended; no one barred him from the set. Ossana was on set during the entire filming.
According to reports, Heath Ledger nearly broke co-star Jake Gyllenhaal’s nose while filming a kissing scene.
According to an interview that Heath Ledger gave to the Philadelphia Inquirer’s Steven Rea, there was a sequence that was filmed for the movie in which Jack and Ennis help some hippies get their car out of a river. According to Ledger, the scene took three days to shoot and was disliked almost immediately by everyone involved. The scene was written by James Schamus as an attempt to show Jack and Ennis in a heroic situation, but it does not appear in Annie Proulx’s original short story, the published screenplay, or the final cut of the movie.
Gus Van Sant and Joel Schumacher were interested in directing the project.
There were 75 visual effects shots created for the film by the Canadian house Buzz Image Group. Of these, 15 were of CGI sheep. The film called for about 2,500 sheep, but only 700 were on-set, necessitating the additional woolly creations. Also created for the film were sky replacements, set additions, erasures and the hail in the hailstorm.
Ang Lee struggled continually with the sheep during the shoot. Apparently sheep don’t drink from running water, only ponds and dams. Ang tried all day to get the sheep to drink from a stream, but they wouldn’t oblige. He had to give up on the shot. Also, American sheep carry a bacteria/virus that Canadian sheep don’t possess. The film’s scene where two herds of sheep become mixed up had some nightmarish real-life parallels, as the Canadian government had expressly warned them of dire consequences if they caused any disease to spread to the local animals from the south-of-the-border variety.
The football game on television that causes some family friction during Jack’s Thanksgiving dinner is actually a 1970s Canadian Football League game between the Montreal Alouettes and Edmonton Eskimos.
During its first weekend of release (playing in only five US theaters), this set a record for the highest per-screen gross of any non-animated movie in history.
Afraid that Anne Hathaway’s previous films The Princess Diaries (2001) and Ella Enchanted (2004) would work against her during auditions, the casting director introduced Anne to director Ang Lee as a New York Broadway actress. Ang Lee hadn’t seen any of Anne’s nor Michelle Williams’s previous works before he auditioned and subsequently cast them in Brokeback.
Cameo: [Rodrigo Prieto] the cinematographer appears as the Mexican prostitute whom Jack picks up.
In her book “The Sense and Sensibility (1995) Screenplay & Diaries: Bringing Jane Austen’s Novel to Film”, Emma Thompson writes that after a particularly difficult day filming a sequence that involved a flock of sheep, Ang Lee swore that he would never again use the animals on a movie set. This movie, however, is about two young men who meet while sheep herding.
According to producer James Schamus, the movie cost so little to make that it recouped its cost during its first week of limited release.
Banned in China because homosexuality is considered a taboo subject there.
Over 90% of the footage was shot within 70 feet of a road.
The song Jack plays on his harmonica is “He Was a Friend of Mine”, the same song Willie Nelson sings during the closing credits.
Director Ang Lee gave Heath Ledger and Jake Gyllenhaal copies of the book, “Farm Boys: Lives of Gay Men from the Rural Midwest”, by Will Fellows, a book that had been mentioned by both Annie Proulx and Diana Ossana as an excellent reference source, to help them understand their characters. Noting what he learned from his reading, Gyllenhaal said, “I don’t think that these two characters even know what gay is.”
According to an interview in Premiere Magazine, Mark Wahlberg stated that at one point, he and Joaquin Phoenix were considered for the two lead roles. Although Wahlberg considered it due to his brother-like relationship with Phoenix, the script was ultimately too sexually graphic for him.
The Guardian’s November 2007 obituary for Costume Designer Marit Allen reported that she brought a book of Richard Avedon’s 1950s and ’60s photos of the American West with her to her first meeting about designing the clothes for Brokeback Mountain (2005), and she used that book to help decode what the obit called the men’s “subtle dress codes”. Interestingly, without having spoken to one another, several of the principle crew used the book as a reference. During production prep, the screenwriters had also suggested the book as a visual reference, and it was, in fact, used by the production design and makeup crews as well.
Heath Ledger, uncertain about the role when he was first offered it, was encouraged by his then girlfriend, Naomi Watts, to take it, immediately after they both read the script. After reading the script, Ledger said he would have flown to Taiwan to meet with Ang Lee in order to be hired for the role.
Writer Annie Proulx sent both Jake Gyllenhaal and Heath Ledger an original, autographed copy of her story. When she signed the copy to Jake she wrote “To Jake…” but when she signed the copy she had intended to give to Heath she signed it “To Ennis”. After writing out her personal message she realized what she had done and decided to leave it be. In a private screening at Arclight in Hollywood, CA she reflected that Heath Ledger really was Ennis. She left the signed copy that way because she had felt Mr. Ledger has embodied Ennis in every way she had imagined him.
Sienna Miller was scheduled to audition for the role of Lureen Twist, but was unable to attend her audition due to a “terrible cough”.
Joseph Fiennes loved the project so much that he met with three different directors attached at various times about starring in the film.
Among the actors considered for the male leads were Josh Hartnett, Colin Farrell, Matt Damon, Billy Crudup, and Ben Affleck.
Joseph Gordon-Levitt was considered for the role of Ennis, having starred in Latter Days (2003) and Mysterious Skin (2004); and being closer in age to Jake Gyllenhaal and Michelle Williams.
Heath Ledger was only four years older than Kate Mara, who played his daughter Alma Jr. in the movie’s last scenes (for most of the movie, Alma Jr. was played by younger baby and child actresses; Mara only played her as an older teen once the Ledger character was supposed to be in his 40s).
The artwork of Vilhelm Hammershøi (Danish Painter, 1864-1916) served as visual inspiration for the whitewashed interior of Jack’s parents home in Lightning Flat, according to cinematographer Rodrigo Prieto.
Focus Features were able to recoup its $14 million budget by selling the overseas rights to the film.
The shirts worn by the 2 actors that feature prominently in the film were sold on eBay in February 2006 for $101,100. The buyer, film historian and collector Tom Gregory, called them “the ruby slippers of our time”.
The poster for the film was deliberately styled to resemble another romantic epic, James Cameron’s Titanic (1997).
When asked if he had any fears about playing a gay man, Heath Ledger replied that he was not afraid of the role, only that he wasn’t mature enough to do it justice.
Utah Jazz owner Larry H. Miller pulled the film from his Jordan Commons entertainment complex in Sandy, Utah, a suburb of Salt Lake City, despite heavily advertising the film. He reneged on his obligations to show it two hours before the first scheduled showing when he learned of the homosexual content, claiming that the film represented a danger to family values. Focus Features threatened to sue and announced that they would no longer do business with Miller.
In March 2006 Randy Quaid filed a lawsuit against Focus Features alleging that the company had misled him into thinking that _Brokeback Mountain (2005)_ was a low budget, art-house film with no prospect of making money. He saw this as a ruse to get him to lower his salary. At the time of the lawsuit, the film had earned more than $160 million. Quaid dropped the lawsuit in May, seemingly after Focus agreed to pay him a bonus. Focus, however, denied that any such payment ever took place.
Heath Ledger declined to go to the one month cowboy camp that had been organized as he had grown up on farms in Western Australia. Jake Gyllenhaal was required to attend, however, as he needed “roughing up”.
There was an audible gasp at the Academy Awards when presenter Jack Nicholson read out Crash (2004/I) as 2005’s Best Film over this film, much fancied. Nicholson himself admitted to being shocked as he too had voted for Ang Lee’s film.
When Ang Lee won the Academy Award for Best Director, the People’s Republic of China’s news media made no mention of the fact that he was Taiwanese. He was described as being Chinese or Chinese-American. The news coverage also blocked out Ang’s shout-out “Thank you, Taiwan” in his acceptance speech.
Although Anne Hathaway learned how to barrel race, the insurance company insisted that a stunt double perform on film.
Heath Ledger reckoned that the script for Brokeback Mountain (2005) was the best screenplay he’d ever read.
Michelle Williams requested that her two male leads kiss in front of her to help her get to the right emotional place for her character, Alma. As she was involved with Ledger in real life, too, she felt that such a thing would help with her portrayal. She had to goad both men as their first few attempts were far too half-hearted for her liking.
Universal made the rare decision to release the film on DVD when it was still playing in theaters. It was also the first film to be released as a DVD and a download on the same day.
At the end of the 2000s, this film was on many critics’ and publications’ “Best of the Decade” lists, including Peter Travers, Entertainment Weekly, The (London) Times, The A.V. Club, Time Out New York, and The (London) Telegraph.

Quotes

Lureen Newsome: Do you think I’m going too fast? Maybe I should put on the brakes?
Jack Twist: Fast or slow, I like the direction you’re going.

Ennis Del Mar: I’m gonna tell you this one time, Jack fuckin’ Twist, an’ I ain’t foolin’. What I don’t know – all them things that I don’t know – could get you killed if I come to know them. I ain’t jokin’.
Jack Twist: Yeah well try this one, and I’ll say it just once!
Ennis Del Mar: Go ahead!
Jack Twist: Tell you what, we coulda had a good life together! Fuckin’ real good life! Had us a place of our own. But you didn’t want it, Ennis! So what we got now is Brokeback Mountain! Everything’s built on that! That’s all we got, boy, fuckin’ all. So I hope you know that, even if you don’t never know the rest! You count the damn few times we have been together in nearly twenty years and you measure the short fucking leash you keep me on – and then you ask me about Mexico and tell me you’ll kill me for needing somethin’ I don’t hardly never get. You have no idea how bad it gets! I’m not you… I can’t make it on a coupla high-altitude fucks once or twice a year! You are too much for me Ennis, you sonofawhoreson bitch! I wish I knew how to quit you.
Ennis Del Mar: [crying] Well, why don’t you? Why don’t you just let me be? It’s because of you Jack, that I’m like this! I’m nothin’… I’m nowhere… Get the fuck off me! I can’t stand being like this no more, Jack.

Jack Twist: I wish I knew how to quit you.

Jack Twist: You gonna do this again next summer?
Ennis Del Mar: Well, maybe not. Like I said, Alma and me’s gettin’ married in November, so… I’ll try and get something on a ranch, I guess. And you?
Jack Twist: I might go up to my Daddy’s place and give him a hand through the Winter. But, I might be back… if the army don’t get me.
Ennis Del Mar: [casually] Well… I guess I’ll see you around, huh?
[long pause]
Jack Twist: Right.

Jack Twist: Brokeback got us good, don’t it?

Ennis Del Mar: You ever get the feelin’… I don’t know, er… when you’re in town and someone looks at you all suspicious, like he knows? And then you go out on the pavement and everyone looks like they know too?
Jack Twist: [Casually] Well… maybe you oughta get out of there, you know? Find yourself someplace different. Maybe Texas.
Ennis Del Mar: [Sarcastically] Texas? Sure, maybe you can convince Alma to let you and Lureen to adopt the girls. And we can just live together herding sheep. And it’ll rain money from LD Newsome and whiskey’ll flow in the streams – Jack, that’s real smart.
Jack Twist: Go to hell, Ennis. If you wanna live your miserable fuckin’ life, then go right ahead.
Ennis Del Mar: Fine.
Jack Twist: I was just thinkin’ out loud.
Ennis Del Mar: Yep, you’re a real thinker there. Goddamn. Jack fuckin’ Twist; got it all figured out, ain’t ya?

Ennis Del Mar: We can get together… once in a while, way the hell out in the middle of nowhere, but…
Jack Twist: Once in a while? Every four fuckin’ years?
Ennis Del Mar: If you can’t fix it, Jack, you gotta stand it.
Jack Twist: For how long?
Ennis Del Mar: For as long as we can ride it. There ain’t no reins on this one.

Jack Twist: Ya know it could be like this, just like this always.

Jack Twist: My momma, she believes in the Pentecost.
Ennis Del Mar: What exactly is the Pentecost? I mean, my folks, they was Methodists.
Jack Twist: The Pentecost… I don’t… I don’t know what the pentacost is. I guess it means the world ends and guys like you and me march off to hell.
Ennis Del Mar: Speak for yourself. You may be a sinner, but I ain’t yet had the opportunity.

Jack Twist: You’ll like working for Roy Taylor. He’s solid.
Randall Malone: Yeah, Roy, he’s a good ol’ boy. He’s got a little cabin down on Lake Kemp. Got a croppie house, little boat. Says I can use it whenever I want.
[pause]
Randall Malone: We outta go down there some weekend. Drink a little whiskey, fish some, get away. You know?

Jack Twist: There ain’t never enough time, never enough…

Jack Twist: Swear I didn’t know we were gonna get into this again.
Jack Twist: Hell, yes I did; red-lined it all the way, couldn’t get here fast enough.

Jack Twist: You know friend, this is a god damn bitch of an unsatisfactory situation.

Jack Twist: [looking over at Ennis in the firelight; he has laid back and is looking up at the stars, smiling] Anything interesting up there in heaven?
Ennis Del Mar: [for the first time in a long time, content] I was just sending up a prayer of thanks.
Jack Twist: For what?
Ennis Del Mar: [with a wink and a smile] For you forgettin’ to bring that harmonica. I’m enjoyin’ the peace and quiet.

Jack Twist: No more beans.

Jack Twist: As for our marriage, we can do it over the phone.

Jack Twist: I got a boy. Eight months old. Smiles a lot.

Jack Twist: Ever notice how a woman’ll powder her nose before a party starts, and the powder it again when the party’s over? Why powder your nose just to go home to bed?
Randall Malone: Don’t know. Even if I wanted to know, couldn’t get a word in with Lashawn long enough to ask. Woman talks a blue streak.

Jack Twist: Tell you what… truth is, sometimes I miss you so bad I can hardly stand it…
Ennis Del Mar: This is a one-shot thing we got goin’ on here.

Jack Twist: It’s nobody’s business but ours.
Ennis Del Mar: You know I ain’t queer.
Jack Twist: Me neither.

Jack Twist: Jack Twist.
Ennis Del Mar: Ennis.
Jack Twist: Your folks just stop at Ennis?
Ennis Del Mar: Del Mar.
Jack Twist: Nice to know you, Ennis del Mar.

[Ennis is describing a childhood memory to Jack]
Ennis Del Mar: I tell ya there… there were these two old guys ranched up together, down home. Earl and Rich. And they was the joke of town, even though they were pretty tough ol’ birds. Anyway they… they found Earl dead in an irrigation ditch. Took a tire iron to ‘im. Spurred him up, drug him ’round by his dick ’till it pulled off.
Jack Twist: You seen this?
Ennis Del Mar: I wasn’t… nine years old. My daddy, he made sure me and brother seen it. Hell for all I know, he done the job.

[L.D. Newsome goes to turn the television back on]
Jack Twist: You sit down, you ol’ son of a bitch!
[L.D. stops in his tracks]
Jack Twist: This is my house! This is my child! And you are my guest! Now sit the hell down before I knock your ignorant ass into next week!

Jack Twist: Friend, that’s more words than you’ve spoke in the past two weeks.
Ennis Del Mar: Hell, that’s the most I’ve spoke in a year.

Ennis Del Mar: What are ya doin’?
Jack Twist: Aguirre came by again. Said my uncle didn’t die after all. Says bring ’em down.
Ennis Del Mar: Bring ’em down? Why? It’s the middle of August.
Jack Twist: Says there’s a storm moving in from the Pacific, worse than this one.
Ennis Del Mar: Well that snow barely stuck an hour. Huh? ‘Sides, that son-of-a-bitch, he’s cheatin’ us outta a whole month’s pay. That ain’t right.
Jack Twist: I can spare ya a loan bud, if you’re short on cash. Give it to ya when we get to Signal.
Ennis Del Mar: I don’t need your money, huh, you know I ain’t in the poorhouse. Shit!

Ennis Del Mar: Tent don’t look right.
Jack Twist: [pauses from playing the harmonica] Well, it ain’t goin’ nowhere. Let it be.
Ennis Del Mar: That harmonica don’t sound quite right either.
Jack Twist: That’s ’cause it got kinda flattened when that mare threw me.
Ennis Del Mar: Oh yeah? Thought you said that mare couldn’t throw you.
Jack Twist: Well… she got lucky.
Ennis Del Mar: Yeah? Well, if I’d got lucky that harmonica would have broken in two.
[Jack laughs]

Jack Twist: Do I look like I can afford a fuckin’ ropin’ horse?

Jack Twist: [Lureen takes off her shirt] You are in a hurry.
Lureen Newsome: My dad’s the hurry. He expects me home with the car by midnight.

Jack Twist: Why is it always so friggin’ cold? We oughta go south where it’s warm, you know, we oughta go to Mexico!
Ennis Del Mar: Mexico? Hell Jack, you know me, about all the travelin’ I ever done is round a coffee pot lookin’ for the handle.